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Syllabus: Notes from an Accidental Professor, by Lynda Barry
Get Free Ebook Syllabus: Notes from an Accidental Professor, by Lynda Barry
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From School Library Journal
Gr 10 Up—Structured as a handwritten composition book, this title uses prose within a graphic context to serve as a forum to teach aspiring young authors. It's written as though a creatively minded person were keeping a messy journal filled with ideas, notes, and scribbles. This book presents an inside look into Writing the Unthinkable, the cartoonist's highly popular writing workshop. Neither a graphic or prose novel, it requires readers to jump around to different boxed areas of words, which resemble those in a textbook, but attempts to do so in a hip, visual, new way. The end result is discordant and sloppy and may confuse, rather than inspire, young authors. VERDICT Those unfamiliar with comics guru Barry's previous work may find the format and style of this title extremely jarring. Stick with her What It Is (Drawn & Quarterly, 2008).—Ryan P. Donovan, Southborough Public Library, MA
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Review
“In recent years, Lynda Barry – half cartoonist, half guru, and entirely irrepressible – has created her own genre, handcrafting inspirational guidebooks about how and why to be creative… Scrawled out and doodled all over the page, collaged together with snippets of schoolwork, snatches of poetry, and drawings of weird-looking monsters, Barry's notes [in Syllabus] double as dispatches from a fertile unconscious, and testify once more to the unfathomable depths of human invention.†―Globe & Mail“Lynda Barry has spent the last few years blazing new trails in nonfiction cartooning with a series of books dedicated to illuminating the mysteries of the creative process . . . Once you pick [Syllabus] up, it's not easy to put it back down again.†―AV Club Best Comics of 2014“[Syllabus is] a must-read for Barry fans and deep thinkers.†―London Free Press“[In Syllabus, Lynda Barry] continues her investigation of what an image is. This book is charming and readable and serves as an excellent guide for those seeking to break out of whatever writing and drawing styles they have been stuck in, allowing them to reopen their brains to the possibility of new creativity. Readers can pore over the exceptionally gorgeous graphic mixture of collage, inking, and watercolor for hours.†―Publishers Weekly (starred review)
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Product details
Paperback: 200 pages
Publisher: Drawn and Quarterly; Second Printing edition (October 21, 2014)
Language: English
ISBN-10: 1770461612
ISBN-13: 978-1770461611
Product Dimensions:
7.4 x 0.4 x 9.4 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
116 customer reviews
Amazon Best Sellers Rank:
#35,324 in Books (See Top 100 in Books)
If you are a creative of any sort, this is a fantastic and fascinating peek into the mind of an artist who is both very imaginative and very organized - not a common combination in the general population. I love Lynda Barry so I was going to read this regardless but I had no great plans for the book other than to enjoy it. Instead, it became a sort of warm-up to my daily journal exercise - a totally unexpected source of inspiration and ideas for my own oftentimes lazy creative process. It was so useful that as painful as it was, I committed to reading it very slowly in order to prolong it's use as a daily class. But that's me. This could easily be read in a few hours and then read again. It's me who made it work but it's not - it funny, and smart, and thought provoking. It's wonderful.
Lynda Barry is a creative genius and a force of nature. The text is 90% hand-lettered. Some seems rather quickly scribbled, so I found parts a bit hard to read. This slowed me down, but perhaps this may have been the author's intent.Barry takes some drawing projects, with attribution, from Ivan Brunetti's text, Cartooning: Philosophy and Practice. Found this interesting as Brunetti insists that the reader proceeds through his lessons precisely as instructed, in the order instructed. Lynda Barry has a far looser take on education, and improvises as she goes along.I teach cartooning classes at a university and relate to Barry's frustration with digital devices in class. The hand, she points out, is the original digital device. She also pleads with her students to document the totality their life experience, not to dwell on the boring bits. I could also relate to that. Too many students do lovely drawings documenting themselves and friends watching and complaining about the banality of TV.There are many things that will prove valuable to teachers here, like her blue pencil project, and Barry's imaginative way of taking roll. Anyone teaching cartooning, writing, or creativity in general, will find this of interest.
I'm only up to page 23 but I really love this. I alter this kind of composition book to make journals for friends and I have my students do so, too. So when I saw the cover of this, I already knew I was going to like it. I love the suggestions about drawing, about creativity, dealing with students' tendency to "like" and "dislike" everything (which is often not only irrelevant but can be distracting, while they are learning). I like the author's attitude and cant' wait to read the rest. I think I may try out some of the ideas as if I were a student in her creative arts class. If you like drawing, creative writing and theater or if you are interested in making your classroom teaching experience more fun for you and for your students, you might really like this book.
Welp, this book influenced my current class before I was even done reading it, so four stars for that alone. This would be five stars, but at times--because of the layout--some of the ideas were a little difficult to follow. Lots of good activities and things to think about here in regards to creativity and writing. I also love that she shares examples of her own work as well as some of her students.Also, I wish I could have taken one of Barry's classes.
Hilarious. Soulful. Practical. Kind.When I opened Syllabus, at first I felt overwhelmed by the density of content on each page. That quickly shifted to amazement at how organized and simple the actual presentation is. Then it shifted again to enormous gratitude for someone who could compile this sort of support within the pages of a book. Such clear instruction. Presented in such a welcoming way. It's really hard to explain. Leave it to say: I have already gifted it to two of my pals and I am methodically moving through her syllabus and feeling lighter and more accepting of my scribbles everyday.
Love this inspirational Art notebook by Lynda Barry. I use it in my college art classes. Students are inspired and appreciate the free-form approach to idea formulation, general thought collection, and sketching (doodling). Love it, love it!(I learned about these notebooks from one of Barry's students.)
Super fun! Sure to give you all sorts of ideas. I bought notecards for the first time in years, and it's been so fun and so useful. I believe I first heard about this book from a newsletter of Poets & Writers, and I am so happy they clued me in on this wonderful and unusual book. Her students are fortunate to have her. But then, she's not grading my work, so I can only judge from afar.
This book has helped me immensely with my creative journaling. Barry's insights about creativity and discovering your process have been invaluable to me. I'd recommend this book to people that are in a creative rut and need to look at their work with fresh eyes. I'm a writer and visual artist, so Barry's advice is dually applicable to what I do.
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