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"The Farce of the Fart" and Other Ribaldries: Twelve Medieval French Plays in Modern English (The Middle Ages Series), by Jody Enders
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Review
"Scurrilous, sexy, stupid, satirical, scatological, side-splitting, and probably something else beginning with 's,' Jody Enders's translation of twelve French farces is a real discovery that goes a long way to readjusting our perception of the Middle Ages. Enders is a great champion of comedy at its most vulgar and hilarious. She points out that however silly or banal these farces may appear to us, they nonetheless confront the real controversies of their day over the law, politics, religion, social order, or the battle of the sexes. Thoroughly grounded in her academic approach to the subject, Enders nevertheless writes with liveliness and humor and wit. She is unafraid to reference modern comedy in her translations and insists on the primacy of performance in assessing these comedies from half a millennium ago."—Terry Jones
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About the Author
Jody Enders is Professor of French and Theater at the University of California, Santa Barbara and the author of many books, including Murder by Accident: Medieval Theater, Modern Media, Critical Intentions.
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Product details
Series: The Middle Ages Series
Paperback: 496 pages
Publisher: University of Pennsylvania Press (March 14, 2013)
Language: English
ISBN-10: 0812222512
ISBN-13: 978-0812222517
Product Dimensions:
6 x 1.1 x 8.9 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review:
3.7 out of 5 stars
4 customer reviews
Amazon Best Sellers Rank:
#2,866,143 in Books (See Top 100 in Books)
I am completely baffled by Kiri's review of Enders' The Farce of the Fart. This book is a TREASURE! I am a professor and theater director, and I have found The Farce of the Fart to be an invaluable teaching resource. Enders has done a rare thing: she has ensured that her brilliant translations are ready for the stage. It is obvious that she has thought carefully about how these delightful plays might be produced and she has considered the actor in her work. Some of the BEST work I have seen students do in my acting classes is when they perform plays from The Farce of the Fart. Enders' translations require students to consider elements like comedic timing, double entendre, physicality, and character relationships, all the things we want acting students to think about. Best of all The Farce of the Fart makes medieval literature accessible, thought-provoking, and FUN. I look forward to many more years of using Enders' work in my courses and I cannot wait for the new editions of farces to be released!
Super fun. We think of the Middle Ages as a literary black hole. Thanks to Jody Enders we have a glimpse of how vibrant the theatrical life on the street was.
Enders has wisely chosen the route of “adapted†rather than “literal†translations, preserving farce’s characteristic exuberance by inserting, where appropriate, “an extra line, an extra term, an extra mimed scene, an extra nonspeaking character, an extra possible musical number, or an extra name (especially for the many unnamed female characters)." Her aim throughout is to make farce a living tradition again, one that remains imbued with the “precious essence†of a medieval genre but that also merges gleefully and ironically with contemporary idioms and themes: “sitcoms, stand-up comedy, Saturday Night Live, political gaffes, widespread litigiousness, the excesses of university life, twentieth- and twenty-first-century slang, and whatever music rises and falls on the pop charts, especially country music." As improbable and unscholarly as all this may sound, "The Farce of the Fart" manages to be both uproariously funny (I regularly disturbed people around me by laughing out loud) and intellectually rigorous (my copy is filled with marginal notes, even though I have read these plays many times). Medievalists who cannot read the original texts should certainly heed Enders’s warning that her translations frequently depart from strict literalism. But these departures are not only wildly obvious; they are also nearly always flagged with an endnote. And at the end of the day, what really matters is that Enders is capable of striking a balance between farce’s historical specificity and issues of contemporary relevance. I regularly marveled at her ingenious strategies for incorporating references to today’s lived realities into her farces while remaining essentially true to the medieval theatrical world from which those farces emerged. A signal achievement in theatrical translation, and I can't wait to read more!
Sadly I was beyond disappointed in this book. The bio of the author gave me great hope that this would be a witty and reasonably accurate rendition of the original French plays.What I found was plays translated and then butchered by what appears to be 1950's American doggerel. The resultant plays are truly awful. My only hope was that the book might have included the original plays in French so I could translate them myself. But no. The author does include a few examples of where she did a straight translation into English, then showing how she translated that into hideous slang.I really wish I could find a redeeming feature to this book, but I am sorry, I can't. Maybe the patois the author used works in the US, but is shudderingly awful in any other English speaking country. It is so disappointing that a professor of French and Theatre produced this instead of what could have been a great book reviving these fun farces.
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